Nick Cave and the Bad Seeds – 'Ghosteen' review

Like C.S. Lewis’ 'A Grief Observed', this devastating album is the work of an artist attempting to make sense of loss. "Peace will come," Nick Cave assures us, although it never really does The last few years have seen Nick Cave engage with fans more directly and openly than ever before. “You can ask me anything,” was the simple and direct message he posted to fans on the launch of his Red Hand Files website. Over the past 12 months, Cave answered questions from fans on everything from the bana

Kele Okereke: “I’ve never experienced such widespread public racism”

Bloc Party’s Kele Okereke opens up about Brexit Britain, Brandon Flowers' comments on Morrissey, the artists failing to fight far right rhetoric, and his ambitious new album '2042' On the face of it, Bloc Party’s Kele Okereke has a lot to celebrate. He’s soon to become a father for the second time, his anti-Brexit soundtrack and play ‘Leave to Remain‘ premiered to rave reviews earlier this year, and the first two single releases from his upcoming fourth solo album ‘2042’ have been praised as em

“This is a very traditional love story, but also a very queer love story too": Shura - A Vision of Love

Shura hasn’t had much sleep when our interview begins. Just a few hours earlier, she’d arrived at a deserted Heathrow Airport in the early hours of the morning after her flight from Sweden – where she’d been appearing at Way Out West festival – was delayed. After landing in London, Shura and her band were delayed further when they couldn’t exit the plane...

“Beauty was a curse for Nico”: Maxine Peake on playing the iconic avant garde singer at Manchester International Festival

“People think of beauty as a blessing, but I think for Nico it was definitely a curse,” Maxine Peake says, a few weeks before she’s due to start rehearsals for a play she’s co-created about the German musician, model and muse. The Nico Project, which is currently showing at Manchester’s International Festival, focuses on Nico’s solo work as a musician...

Features | Baker's Dozen | The Weirder The Better: Buzz Osborne Of Melvins' 13 Favourite Records

“Don’t quiz me on which thirteen records I picked because I can’t remember,” Buzz Osborne of Melvins tells me, moments before we’re due to begin our chat about his thirteen favourite records. “Sometimes, it changes hourly,” he adds. I explain that I have a list of choices he sent over a few weeks ago. “Phew, that’s alright then! I might change my mind though.”

Interview with James Bay

“It was nerve-wracking releasing anything after my first album being as big as it was, “Bay says. “But trying to live up to it was also still exciting. I chose to follow my heart and do something different which felt right at the same time. I didn’t just want to reinterpret the same thing in the same way – that didn’t feel like the most honest move.” Bay wanted his record to reflect the new influences he was discovering at the time, even if that meant gambling on the change in direction...

Reggie Gray: 'Flexing is storytelling. Our bodies become the vocabulary'

Brooklyn-based dancer Reggie “Regg Roc” Gray never imagined that a street dance style he invented during his lunchtimes at school would go on to become a global craze. Used by Madonna, Beyoncé, Jay-Z and Nicki Minaj, to name a few, Gray’s “flexing” dance became a phenomenon thanks to the audacity of its moves – many of which look physically impossible – and its powerful political comment.

Ryan Bingham: A Wild Ride

Ryan Bingham is just hours away from playing a sold-out, headline slot at London’s Union Chapel. “It’s certainly been a hell of a ride getting here,” he laughs, reflecting on how special the venue is to him: he says he feels “lucky” and “astounded” to be playing here. Bingham has won an Oscar, a Golden Globe and a Grammy for his song "The Weary Kind" from Crazy Heart and has had multiple, critically acclaimed albums: isn’t he used to playing such iconic venues by now? “I guess I’m still humbled...

Au/Ra: Only Human After All

Jamie Lou Stenzel greets me enthusiastically in the boardroom of her record label, a lightbulb smile beaming ear-to-ear. At 16-years-old, Au/Ra , as Stenzel is known professionally, is one of the youngest on the label’s roster. We’re surrounded by images of global pop superstars who were signed at a similar age and with her debut single, "Concrete Jungle" receiving over 15 million streams globally, you can’t help but feel Au/Ra’s image will be up alongside the others soon...

Meeting Bazil Meade MBE: “Music absolutely saved my life"

When Bazil Meade MBE founded the London Community Gospel Choir (LCGC) with three other people in 1982, he had no idea how popular the choir would become – nor did he expect LCGC would one day be celebrating its 35th anniversary – especially after their original plan was for the choir to do just a single, one-off performance. Fast forward 35-years, and the choir has travelled far. They’ve graced the stage at The Brits, Glastonbury and The Grammy Awards...

The Big Read – Black Honey: "Ladylike can go fuck itself"

Brighton rockers Black Honey are a band of dandy dreamers living the DIY dream on a shoestring – but the album they’re working on, with strings and horns and ‘Parisian noir’ inspiration – sees them reaching for the sky. As they play NME’s Girls To The Front, Elizabeth Aubrey meets them to hear how ADHD, Billie Eilish and a hatred of the pop world forged their sound and fuels their work. PICTURES: Chloe Hashemi Izzy Baxter-Phillips is shouting in the basement of London’s Shacklewell Arms, an hou
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